Focusrite Saffire Pro 40 Professional 20 in / 20 out Firewire interface, Rack Gear | ||||||||||||||||||||||
| Catalog » Recording » Interfaces (Audio/MIDI) SKU: SAFFIREPRO40 | ||||||||||||||||||||||
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Description
All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.
The Focusrite Saffire PRO 40 represents the new generation of Focusrite multi-channel firewire audio interfaces. It is the best-sounding interface in its class; attentively designed with today's project studio in mind. Focusrite's unparalleled preamp legacy forms the foundation of this new interface, with eight award-winning Focusrite preamps. These are combined with the very latest in firewire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability. With Saffire PRO 40, sonic integrity reigns supreme. The eight Focusite preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL jitter-reduction technology ensure pristine audio quality as your audio flows between the analogue and digital domains. Alongside the eight Focusrite preamps are a host of additional I/O options; 10 analogue outputs, ADAT I/O, stereo S/PDIF and two virtual 'loopback' inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel five-step LED metering for each analogue input offers accurate viewing of levels. Saffire MixControl, the ultra-low-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click options, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes. Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customisable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround. Key Features Eight high-quality award-winning Focusrite preamps The best sounding interface in its class. Focusrite's unparalleled preamp legacy forms the foundation of this new interface, with eight award-winning Focusrite preamps. High-quality 24-bit/96kHz Firewire interface Features high quality A-D / D-A conversion and JetPLL jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed. Total I/O count of 20 inputs and 20 outputs A host of I/O options are provided*, including a unique 'loopback' facility for routing audio between software applications via Saffire MixControl. The Focusrite Plug-in Suite Upgrade your standard sequencer effects and bring a touch of class to your session with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Two separate headphone buses Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel. Saffire MixControl ultra-low-latency DSP mixer/router Routing flexibility and intuitive one-click set-up solutions; Saffire MixControl provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities. Unmatched routing flexibility Saffire PRO 40 is the most flexible interface in its class, able to adapt to any recording session quickly and intuitively. The user is able to route any input signal or DAW output, or a mix of both, to any of the 20 outputs. Tech Specs
We always quote 'real world' performance figures (measured to the AES17 standard). Some companies choose to quote chipset performance, which is misleading, and here's why. Microphone Inputs Dynamic Range (A-Weighted): 109dB SNR (A-weighted): -109dB Frequency Response: 20Hz - 20kHz +/- 0.1 dB THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Maximum level (A-weighted): 8dBu at 1% Line Inputs Dynamic Range (A-Weighted): 109dB SNR (A-weighted): -109dB Frequency Response: 20Hz - 20kHz +/- 0.1dB THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise: -90dBu (22Hz/22kHz bandpass filter) Maximum level (A-weighted): 28.5dBu at 1% Instrument Inputs Frequency Response 20Hz-20KHz +/- 0.1dB Maximum Input Level min gain no pad +8dBu Maximum Input Level max gain no pad -42dBu THD+N, -1dBFS, min gain, no pad < 0.0015% SNR 109dB "A" DNR 109dB "A" Input Impedance > 1MOhm X-talk < -100dB Adjustable Gain > 50dB Pad Attenuation 10dB Headphone Outputs Frequency Response 20Hz-20KHz +/- 0.1dB SNR 109dB "A" DNR 109dB "A" Maximum Output into 32R +12.4dBu (+10.2dBV) Power into 32R 250mW Output Impedance < 7Ohms Load Impedance > 24Ohms Line level Outputs Dynamic Range (A-Weighted): 108dB SNR (A-weighted): -108dB THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Maximum level (A-weighted): 15.7dBu at 0.883% Additional Conversion Performance Clock jitter < 250 picoseconds THD+N AMPL (A-weighted)= -109dBFS CONNECTIVITY Analogue Channel Inputs (Inputs 1-8) 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument) Digital Channel Inputs (Inputs 9-18) 44.1-96kHz Stereo S/PDIF input on RCA 8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2/96kHz • Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Analogue Audio Outputs (Outputs 1-10) 8 �" TRS Jack (Outputs 3-10) 2 monitor mix outputs on �" TRS Jack (Outputs 1 and 2) Stereo headphones mix 1 on �" TRS (also routed to outputs 7 & 8) Stereo Headphones mix 2 on �" TRS (also routed to outputs 9 & 10) Digital Channel Outputs (Outputs 11-20) 44.1-96kHz Stereo S/PDIF output on RCA 8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2/96kHz Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Other I/O 2 6-pin Firewire sockets 2 Standard 5-pin DIN MIDI connectors: In and Out IEC mains power input connector Weight and Dims 3kg / 6.6Ibs 482mm / 19" (W) x 45mm / 1.8" (H) x 265mm /10.4" (D) Estimate Shipping
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